Cinema screens worldwide are soon to be poisoned with this unwanted and unjustified big screen transferral, and it’s safe to say Mr Grey will not see me now, or my money for that matter.
I was hoping I was going to wake up from this nightmare world where bad books were somehow granted access to cinema screens, but it seems as though that nightmare was in fact reality. I had doubts when I was sat in a cinema screening for a genuine adaptation of The Fault in our Stars which apparently happened, and now that I realise how real all of this is it would appear that the next of these pieces of rubbish is rapidly approaching on the horizon. So lock up your daughters and other family members, head for the underground bunkers and wait for Armageddon because Fifty Shades of Grey‘s big screen adaption is coming soon! I hope the radiation seeps in and sucks my eye balls out of skull so I don’t have to watch the film.
I still maintain that the film does not need to be made. Because it doesn’t. It’s based on a book that is appallingly written and completely lacks substance or any real interest, so how on earth can you make a film of that? It’s going to be a grotesque and completely unartistic piece of film that is already making me lose faith in people because they actually want to see it. They want to give money to this disgusting enterprise.
It’s going to cause all sorts of controversy, much like the book did, just because in terms of what statement it is making with its gender politics is a complete backwards step. And then a couple more. In fact a whole marathon backwards. We’re living in a world that is quite rightfully striving for gender equality, with more and more books and films showing female characters as independent and really breaking free from the shackles of how they were previously portrayed. And now we have this film. A film showing an arrogant self obsessed man who is animalistic and boulder headed, with a woman who is wracked with self doubt, weak willed to the point of being submissive at the first signs of challenging characteristics, and basically showing how a man can take complete control of her. That is not welcome. Male supremacy is an ugly undertone to the books so one can only assume the film is going to be of the same nature. It isn’t sexy, it’s infuriating and completely counterproductive. But still it’s being sold to us a romantic movie? I’m sorry but I am not convinced for one moment that this film is going to be romantic in any sense of the word.
As of yet we’ve only had a couple of trailers for the film and the odd poster thrown at us but already people are labelling the film “exciting” and even “sexy”, which I think is a bit too kind. See I think what the trailers have done is tricked people in to thinking it’s going to be this sexy film that’s romantic or good in any sense of the word. It’s got loads of lines of dialogue that are written to make people think it’s romantic, much like the song Blurred Lines did last year, until you stepped back and listened to it more carefully and realised that actually it has some sinister undertones. I analysed that song on this very blog and basically gave a translation for some of the lines that needed a little bit of clarification. So what I’ve decided to do this time is to break down some of the lines from the trailers that have been released for this film so far and clear the air as to what they really mean and what they are really telling us about the characters. I think there is more of an air of truth to my translations but obviously people will interpret them in different ways. Make of them what you will:
“Mr Grey will see you now” – “Let’s get this ball rolling with a line that makes him sound more mysterious than he actually is. Really it’s more of a warning has to how arrogant he is and it’s the perfect time to turn around and ditch the interview. No? Don’t worry, you’ll learn the hard way”
“He was polite, intense, smart, really intimidating” – “He’s a successful man and I’m just a woman. Also he was wearing a suit. I’m one of those people who finds anyone in a suit attractive. Like literally anyone. Successful business man? Check. Groom at a wedding? Check. The manager of a department store? Check. The people that carry the coffin on their shoulders at a funeral? Check. Serial killer appearing in court? mmmmm sexy”
“There’s really not much to know about me, I mean look at me” – “Open invite for him to make a cliched line that shows how a big successful man can somehow find something attractive in a wilting flower of a lady. I don’t need anyone else to tell me I’m unimportant because I’m doing that for myself, I mean why be self confident? Urgh, so unattractive!”
“I exercise control in all things Miss Steele” – “blah blah blah hegemonic masculinity blah blah blah successful blah blah better than you blah blah blah I’m complex blah blah blah sociopath blah blah blah pontification”
*response to the previous line* “it must be really boring” – “it’s funny because I’m going to find out later that actually he’s not boring because he’s going to take control of me. Love the irony there, classic”
“I’m incapable of leaving you alone” – “the courts have not stopped me yet so make hay while the sun shines!”
“I had a rough start in life, you should stay clear of me” – “this is cliched and ambiguous enough to make it sound like there is some level of depth to my character right? I mean we have established I am a fully one dimensional character with absolutely no substance at all but this slightly mysterious line makes it sound like there could be more to me right? Let’s just go with that, who gives a shit about writing anyway? BORING! Let’s get to some whipping scenes man! Bring on the chains and handcuffs!”
“I don’t do romance” – “as long as my sexual needs are met then this is a functioning relationship. That’s the way this thing works right? She is finding all of this sexy? Alright then! All I have to do is wait until the next time she’s menstruating and we are good to go!”
“My tastes are very singular” – “Blurred lines! I know you want it! I know you want it, you’re a good gi- oh…. yeah I should have mentioned this before. You know how some guys aren’t in to sharing? Like when you go out for a meal they’ll want to order separate meals and pay for separate meals and leave it at that? That’s what we’re talking here. I promise it doesn’t get any worse than that. What was that? What’s the blindfold and riding crop for? Nothing….”
“Enlighten me then” – “Let me in to your world where I can be reduced to a dog toy within this relationship! It’ll still be sexy because the man in the suit is in charge and the anxious woman is serving her purpose”
“I have a natural instinct for what makes a person tick” – “mainly myself. I understand myself quite well”
“You do realise he hasn’t stopped looking at you?” – “I think Hannibal likes you. I mean Dorian Gray. Shit I mean Christian Grey. Fuck sake creeps are all the same”
I mean obviously the translations aren’t word for word and there are a few other words thrown in to the mix so the lines are slightly longer, but it’s near enough a direct translation. Maybe with a dose of sarcasm too, but it’s hardly noticeable.
As said before, other people will interpret these lines in different ways and so will get different things from them. All I got from them was a feeling of discomfort and a suspicion that there is some fucking awful writing afoot. I wonder why.
Don’t get me wrong I’m a fan of romance films, I will admit that. When romance films are written well then they can make it as some of the best films you will ever see in your life. Films like Casablanca and Annie Hall are utterly fantastic and kick start a whole cocktail of emotions because they are fantastically written are just so engaging on a raw level. This is nothing like that. This is a film that it is the complete opposite of romantic. It is toxic to its very core, and I hope that some of the petitions to get this film banned from local multiplexes are taken seriously. It is a film that is going to suck more money out of the idiots who already bought the book, and then the people who made it can claim that it’s a good film because the box office stats were booming. Just because it takes money it doesn’t mean it is a good film. Titanic, Transformers 1,2,3 &4, Pirates of the Caribbean, Avatar, Grown Ups 2 and the Hangover Trilogy is living proof that the box office stats mean bugger all.
Everyone involved in this film should feel thoroughly ashamed of themselves. And that is including, and I am sorry to say this because previously she was admirable, but Beyonce. When she was involved in campaigns that encouraged young girls to be confident and stand up for themselves, I was happy. Now that she’s taken a back step and is recording alternative versions of her songs to help advertise a movie as degrading as this, I will admit my opinion has been altered. I’m not angry, I’m just disappointed because I expected better from her.
But as I have said before when I wrote about this film, I want to be proven wrong. I want this film to come out and kick all of my opinions out of the window and show me that I was wrong and that actually it is a good film. There’s nothing better for a film fanatic than when you expect a film to be bad but it proves you wrong and shows itself to be brilliant. I want it to happen of course I do. Do I think it’s going to happen? No. Looking at the source material, I’d say there is a very slim chance this film will be good.
To summarise, I merely have to quote the poem Storm by Tim Minchin:
“You show me that it works and how it works, and after I have recovered from the shock, I will take a compass and carve “fancy that” on the side of my cock!”